I can’t tell you how excited I am for the opening of Nep Sidhu’s Medicine for a Nightmare (they called, we responded), a solo show featuring mostly new works that I have had the privilege of curating. This thing is a true labour of love!
Medicine for a Nightmare (they called, we responded) focuses on Sidhu’s politicized use of textiles to conjure coalition beyond the structures that currently shape civic society, taking the 1984 massacre of Sikh people in India as its foundation. Known as Operation Blue Star, this military event resulted in the death of thousands of Sikh people—a religious minority in India—as well as the deaths of many others. Orchestrated by the Indian government to counter militant activist movements that sought to address the impoverished economic, social and political conditions of life for Sikh people in India, the raid unfolded at the Harmandir Sahib, a Sikh holy site.
Sidhu’s exhibition departs from this recent history to assert the resilience of Sikh people, both as a testament to their faith and as a response to inhumane political brutalities. Commemorating the spiritual role of tending to life in common, he has created a new body of work that includes a major tapestry, Medicine for a Nightmare (2019), that continues his When My Drums Come Knocking They Watch series. By examining to the cultural role that percussion plays across cultures as a symbol of inheritance and becoming, Sidhu conjures a beat that carries ancestral connections forward in time. The exhibition also includes a new sculptural work, Formed in the Divine, Divine of Form (2019), that is charged with exemplifying the practices of community responsibility that characterize Sikh temple kitchens and cultivate cooperation through the practice of seva (selfless service). As gestures of memorialization, Medicine for a Nightmare (they called, we responded) participates in a continuum of material and memorial practices that seek to redress the 1984 massacre and the engineered attempts at erasure of the Sikh communities that followed it.
Medicine for a Nightmare (they called, we responded) also features works produced in dialogue with artists Nicholas Galanin and Maikoiyo Alley-Barnes, frequent collaborators of Sidhu’s.
Join us at Mercer Union on Friday, 08 February 2019 at 19:00 and consider how it is that you build relationships to the past, and how history is reformed through the habits and practices of everyday life.