This winter, I was invited back to the Vera List Center to participate in their ongoing program Indigenous New York, this time with a focus on how Indigenous creative production might reconfigure regimes of critical writing. As an invited participant in the event, I was paired with a fellow writer, Sadia Shirazi, and we were asked to respond to the prompt of “land writes—citing territory.” Shirazi and I had not met previous to this, but in approaching this work, we decided to engage each other in conversation, extending the call and response structure of the exercise, first over Skype then in writing, crafting a meditation of enactments of territory that extended from acknowledgements to bans. In a time when so many people have been barred access to the lands called the United States through executive orders, it was a strange decision to go there (and indeed, some other invited participants boycotted the event in response to the recent travel bans). And yet, I hope that there was some utility in going the US and to this event to discuss how the policies enacted on land are equivalent to politicized regimes of dispossession, and to imagine other ways of organizing the shapes we make when we come together. Below, Shirazi and I read from our text at the public portion of the colloquium. Entitled the cuts., our writing owes a debt of gratitude to the brilliant Layli Long Soldier and her book of poetry WHEREAS (2017).
And here, documentation of the panel discussion that followed:
And here, the collection of texts.