The Fraud that Goes Under the Name of Love


Mika Rottenberg, “Time and a Half,” 2013. Single channel video. Courtesy Andrea Rosen Gallery, New York. 

For the past many months, I have been working alongside the totally brilliant Amy Kazymerchyk in developing an exhibition for Simon Fraser University’s Audain Gallery. I head out to Vancouver next week to begin installing The Fraud that Goes Under the Name of Love and I couldn’t be more excited to see how this show begins to unfold in space as we make a constellation of the works of Billy-Ray Belcourt, Hannah Black, Rebecca Brewer, Anne Boyer, Maggie Groat, Johanna Hedva, Hanna Hur, Dylan Mira, Skeena Reece, Mika Rottenberg and Rachelle Sawatsky.

This group exhibition explores how singular and social bodies are affected by the entwinement of love and work. It focuses on under-acknowledged forms of physical, intellectual and emotional work, such as domestic care, cultural production and social activism, which are often referred to as “labours of love.” In querying the complexity of the commonly used phrase, the exhibition exposes how this love is valued on global, communal and personal scales.

These artists use material and conceptual strategies to express the physical, emotional and psychological effects of enduring or refusing the conditions of these social roles. Employing figurative language, abstraction and poetics, their works express how the conditions and affects of labouring are absorbed in the body and enfolded into life.

Full details about the exhibition and associated events can be found here, and it would be especially lovely to see you at the opening on 01 June, 19:00–21:00, at the Audain Gallery (149 West Hastings Street, Vancouver BC).


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