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Experiments with Language

I played a game of writing, where I spent 10 minutes telling about a text that has profoundly shaped me:

Leonard Cohen’s “The Favourite Game”

Passed into my hands with heat, an exchanged book was set to become an emblem of a relationship that was just then beginning to unfold. In any case, this one especially, the scope of paradigm shift cannot be anticipated because it is a reordering that renders assumptions about the world mutually incomprehensible. So I was someone before and someone else after. Our intimate dancing began and ended, a regular chronology afterall, but in the interval I took those words and marked them on my body. This is language I want to be read upon my flesh when it lay dead, language I wanted to be read each time my clothing fell to the floor. Because it was love—sweet, young—that pressed those words into my palms, I could not consider its eventual unravelling; my skin was scarred in a moment of indulgence or optimism that now other lovers read on my body instead.

And then I spent six minutes telling about a text I have shamefully not read:

I have a pat answer for this. I have a pat answer for this and it has been so for years, compounding the shame. I have a pat answer for this and I am just days distance from doing the thing I always do rather than meeting the writing on its own terms. Virginia Woolf, pockets full of rocks, how have I not been there with her? Oh, but Rebecca Solnit wrote of her writing and I take that in, always reading around Woolf instead of meeting her head on.

 

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